My ambition is to work collaboratively with other people to choreograph eight new dances - one for each of the Celtic Wheel of the Year festivals. Working with local musicians to compose new music for each dance.
I am interested in weaving music and dance with the changing energies of the seasons and how our experiences of grief are changed and mediated as the wheel of the year turns. Following the sun and moon, tuning in to what nature teaches us about birth, life, death and rebirth.
Channeling the energies of those we are grieving for. Tending our grief by coming together to create something new.
Border Morris is a style of Morris dancing that originated in the Welsh-English border areas but now refers more to the style than where the sides are from. The dances are boisterous and energetic, often using sticks and focusing on the impact of the performance. This will be our starting point, but allowing enough fluidity and freedom to take our choreography in whatever direction we choose.
(This photo is by hulkiokantabak on Pixaby)
My work as an End of Life Doula involves supporting different people in different ways to process their grief. Tending our grief happens in different ways for different people. In my life and in my work, I use creative media to explore and process grief, such as storytelling, crafting and gardening.
Border Morris is another creative medium through which we can explore life, death and our place in the universe.
The term ‘Border’ may originally have been connected to geographical location, but today it feels like a description of a liminal space, which is exactly where grief takes us. Many people in their grief describe time as having a different quality for them and feeling as if they are behind a screen with life going on beyond it, just out of reach. Border, to me, also suggests an alternative space, away from the mainstream where other ways of being can be imagined.
I use the term tending our grief to describe a gentle process through which we stop burying our grief or denying it exists. By turning slowly towards it, talking about it and exploring it through creative media we can work through it until its bitter sting mellows and we can move forward into a new relationship to the precious things that we lost.
Grief does not just come into our lives when someone close to us dies. Any type of loss we experience can leave us with grief.
I am seeking Others who are interested in what I want to do. People who want to dance, musicians, people with a passion for costume and theatrical make-up, Morris teachers and mentors. Those with years of experience and those with none.
One thing I ask is that you come open to the idea that this is a project for tending our grief. And that it is an inclusive, welcoming space with a playful, Queer, feminist, lefty vibe.
This project is almost a blank piece of paper. All that is written on it so far are three things
If you want to come and help shape it and bring it into being, please get in touch . Adults 18+.
At this point I should probably say that I have not danced any form of Morris before. In fact, I’ve barely done any dancing other than very occasionally in a nightclub in my youth, which again to be honest is a good few decades ago. What I am bringing to this project is not the Border Morris dance expertise. My skill is in holding grief tenderly and using creative media to help heal it.
Are there already Border Morris sides in the North East?
The only side I can find is Locos in Motion in Darlington. I am based near Chester le Street so this project will be in Tyne and Wear. The exact location will depend on who joins the project and where they are based.
What does ‘soul-stirring visitations from birds’ mean?
It’s a name for the project that came to me after having many uncanny encounters with birds following the death of my dad. I feel that birds will influence the aesthetic of this project and continue to be an inspiration for the work.